BORN IN ST. CATHARINES, ONTARIO, 1955 EDUCATION B.A. Photographic Arts (Media Studies Program), Ryerson Polytechnical University, Toronto, Ontario Diploma, Graphic Arts, Niagara College, Welland, Ontario SELECTED SOLO EXHIBITIONS 2015 Edward Burtynsky: Water, Grand Rapids Art Museum, Grand Rapids, MI, USA The Photographs of Edward Burtynsky, Domaine de Chaumont-sur-Loire, Chaumont-sur-Loie, France Edward Burtynsky: Water and More, Innsbruck, Austria The Industrial Sublime: Edward Burtynsky, Fruitlands Museum, Devens, MA, USA Edward Burtynsky: Nature Transformed, Von Lintel Gallery, Los Angeles, CA, USA 2014 Edward Burtynsky: Water, Grinnell College, Faulconer Gallery, Grinnell, Iowa, USA, July 11 - September 28, 2014 Edward Burtynsky: Water, Scheublein + Bak, Zurich, Switzerland, June 14 - July 25, 2014 Water! Neue Fotografien von Edward Burtynsky, Altana Kultur Stiftung Museum Sinclair-Haus, Bad Homburg, Germany, June 29 - August 31, 2014 Edward Burtynsky: Water, Sundaram Tagore Gallery, Hong Kong, May 9 - June 21, 2014 A Terrible Beauty, Vancouver Art Gallery, Vancouver, Canada Edward Burtynsky: Water, Galerie Springer, Berlin, Germany, (in collaboration with Galerie Stefan Röpke, Köln) January 31, - March 15, 2014, Opening 30.01.2014 7pm Edward Burtynsky: Water, Sundaram Tagore Gallery, Singapore, March 7 - April 6, 2014 Edward Burtynsky: Water, Paul Kuhn Gallery, Calgary, Alberta, Canada, March 1 - 29, 2014 Edward Burtynsky, Canada House Gallery, London, U.K. January - February, 2014 2013 Burtynsky: Water, New Orleans Museum of Art (NOMA) / Contemporary Art Center (CAC), New Orleans, USA, October 5, 2013 - January 19, 2014 Edward Burtynsky: The Landscape That We Change, McMichael Canadian Art Collection, Kleinberg, Canada, June 29 - September 29 Royal Academy Summer Exhibition, London, UK, June 10 - August 18, 2013 Nature Transformed: Edward Burtynsky's Vermont Quarry Photographs in Context, Middlebury College Museum of Art, Middlebury, Vermont, USA, February 8 - April 21, 2013 Burtynsky: Oil, Canadian Museum of Nature, Ottawa, Canada, June 4 - September 2 Material Matters, UNB Art Centre, University of New Brunswick, Fredericton, New Brunswick, Canada, February 15 - April 15 2012 Edward Burtynsky: The Industrial Sublime, Nicolaysen Art Museum, Casper, Wyoming, September 28, 2012- January 6, 2013 Burtynsky: Oil, c/o Berlin, Germany, July 27 – September 9 Nature Transformed: Edward Burtynsky's Vermont Quarry Photographs in Context, Hood Museum, Dartmouth College, Hanover, New Hampshire, US, April 21- August 19 Burtynsky: Oil, The Photographer's Gallery, London, U.K., May 19- July 1 Burtynsky: Oil, Taubman Museum, Roanoke, Virginia, USA, October 20, 2012 – January 8, 2013 Burtynsky: Oil, Nevada Museum of Art, Reno, Nevada, USA, June 9 – September 23 Burtynsky: Oil, Cornell Fine Arts Museum, Rollins College, Winterpark, Florida, USA, February 8 - May 13 Edward Burtynsky: The Industrial Sublime, Frist Center for the Visual Arts, Nashville, Tennessee, USA, May 25 - September 1 Edward Burtynsky: The Industrial Sublime, University of Wyoming Art Museum, Laramie, Wyoming, USA, January 29 - May7 Monegros – Dryland Farming, Flowers Gallery, London, U.K., January 12- February 5 Edward Burtynsky: Shipbreaking, South Seaport Museum, New York City, USA, January 25- May 28 Edward Burtynsky: Encounters, Glenbow Museum, Calgary, Alberta, Canada, January 21- May 6 2011 Burtynsky: Oil, McCord Museum, Montréal, Quebec, Canada, October 7, 2011 - January 8, 2012 Edward Burtynsky: The Industrial Sublime, (touring exhibition) Shaw Gallery, Weber State University, Ogden, Utah, USA, August 29 - November 29 Burtynsky: Oil, Ryerson University in association with the Institute for Contemporary Culture, Royal Ontario Museum, Toronto, Ontario, Canada, April 9 - July 2 Burtynsky: Oil, Fotografiska Museet, Stockholm, Sweden, April 21 - June 26 Burtynsky: Oil, Altana Kulturstiftung, Bad Homburg, Germany, February 3 - April 3 Edward Burtynsky: L'Uomo e la Terra. Luci e Ombre, Centro Culturale di Milano, Milan, Italy, January 25 - March 27 (Artist's talk February 1) 2010 Photographs - Edward Burtynsky, Telus World of Science, Calgary, Alberta Oil, Galeria Arnés y Roepke, Madrid Australian Minescapes, Brisbane Powerhouse, Brisbane, Australia Burtynsky: Oil, The Rooms - Provincial Art Gallery, St. John's, Newfoundland, Canada Australian Minescapes, Sovereign Hill Gold Museum, Ballarat, Australia Edward Burtynsky: Min(d)ing the Landscape, Berman Museum of Art at Ursinus College, Collegeville, Pennsylvania 2009 Burtynsky: Oil, Torch Gallery, Amsterdam, Netherlands Australian Minescapes, Western Australian Museum, Geralton, Australia Burtynsky: Oil, Huis Marseille, Amsterdam, The Netherlands Burtynsky: Oil, Adamson Gallery, Washington, D.C., USA Burtynsky: Oil, Corcoran Gallery of Art, Washington, D.C., USA (exhibit tours through 2012) Burtynsky: Oil, Nicholas Metivier Gallery, Toronto, Canada Burtynsky: Oil, Hasted Hunt Kraeutler Gallery, New York, USA Australian Minescapes, Australian Centre for Photography, Melbourne, Australia Manufactured Landscapes, Museum of Science, Boston, Massachusetts, USA Edward Burtynsky: Quarries, Sidney Cooper Gallery, Christ Church University, Canterbury, U.K. Whyte Museum of the Canadian Rockies, Banff, Alberta, Canada Australia - Edward Burtynsky, Art45, Montreal, Canada Burtynsky Australian Mines, Gallerie Stefan Roepke, Köln, Germany, Edward Burtynsky: Uneasy Beauty, Surrey Art Gallery, Surrey, British Columbia, Canada Burtynsky Australian Mines, Flowers East Gallery, London, U.K., Material World, Queen's University, Kingston, Ontario, New Quarries, Galeria Toni Tapies, Barcelona, Spain Iberia Quarries, Galería Arnés y Röpke, Madrid, Spain Australian Minescapes, Western Australian Maritime Museum, Fremantle, Australia In Pursuit of Progress, Winnipeg Art Gallery, Winnipeg, Canada New Quarries, Flowers East Gallery, London, U.K. 2007 Galerie Stefan Röpke, Berlin, Germany New Quarries, Robert Koch Gallery, San Francisco, California New Quarries, Nicholas Metivier Gallery, Toronto New Quarries, Charles Cowles Gallery, New York City Manufactured Landscapes, Gemeentemuseum Helmond, Helmond, Netherlands China Works, Koldo Mitxelena Kulturunea, San Sebastián, Spain Burtynsky Photographs, (major survey exhibition) Gemeentemuseum Helmond, The Netherlands Edward Burtynsky: Photographs, Canadian Cultural Institute, Paris, France Edward Burtynsky: The China Series, (touring exhibition) Southeaster Center for Contemporary Art, Raleigh — Southeastern Center for Contemporary Art (SECCA), Winston-Salem, North Carolina 2006 — Boca Raton Museum of Art, Boca Raton, 2006 — Presentation House Gallery, North Vancouver, British Columbia, 2006 — Tufts University Art Gallery, Aidekman Arts Center, Medford, Massachusetts, 2007 — Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania, 2007 — The Art Museum, University of Oregon, Eugene, Oregon, 2008 — Bowdoin College Museum of Art, Brunswick, Maine, 2008 2006 Edward Burtynsky: Eight China Works, The Barbara Krakow Gallery, Boston, Massachusetts Edward Burtynsky: China, FotoFo - Month of Photography, Palace of Art, Bratislava, Slovaki Fabryka Krajobrazu: Manufactured Landscapes, Yours Gallery, Warsaw, Poland Edward Burtynsky: Quarries, Paul Kuhn Gallery, Calgary, Alberta Edward Burtynsky: The Edmonton Art Gallery Gift, Edmonton Art Gallery, Edmonton, Alberta New China Works, ART45, Montreal, Quebec Edward Burtynsky: China's Industrial Revolution, Paul Kuhn Gallery, Calgary, Alberta PhotoEspana, Centro Cultural de la Villa, Madrid, Spain Galeria Toni Tàpies, Barcelona, Spain Galerie Stefan Röpke, Cologne: Shipyards, Building and Breaking 2005 Manufactured Landscapes (includes 24 new China images), Brooklyn Museum of Art, Brooklyn, New York Manufactured Landscapes, Museum of Photographic Arts, San Diego, California Photowork, The Torch Gallery, Amsterdam, The Netherlands Manufactured Landscapes, Iris & B. Gerald Cantor Center for Visual Art, Stanford University, Stanford, California Entropia, Fundacion Bilbao Bizkaia Kutxa, Bilbao, Spain Burtynsky — China, Robert Koch Gallery, San Francisco, California Burtynsky — China, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina (touring exhibition - see above) Burtynsky — China, Nicholas Metivier Gallery, Toronto, Ontario Burtynsky — China, Charles Cowles Gallery, New York, New York Burtynsky — China, Flowers Gallery, London, England 2004 Manufactured Landscapes, Art Gallery of Ontario, Toronto Manufactured Landscapes, Musée d'art contemporain de Montréal Asian Quarries, Nicholas Metivier Gallery, Toronto 2003 Landmarks, Oakville Galleries, Centennial Square, Oakville, Ontario Edward Burtynsky: Mid-Career Retrospective, The National Gallery of Canada, Ottawa, Ontario — Finnish Museum of Photography at Cable Factory, Helsinki, Finland — The Art Gallery of Ontario, Toronto, Ontario — The Brooklyn Museum of Art, Brooklyn, New York — The Museum of Photographic Arts, San Diego, California — Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, California Before the Flood" Robert Koch Gallery, San Francisco, California Before the Flood" Mira Godard Gallery, Toronto, Ontario Before the Flood" Flowers Gallery, London 2002 Burtynsky, Kitchener-Waterloo Art Gallery, Kitchener, Ontario Burtynsky, The Prairie Art Gallery, Grand Prairie, Alberta Burtynsky, Paul Kuhn Gallery, Calgary, Alberta Burtynsky, Charles Cowles Gallery, New York Eight Large Photographs, Mira Godard Gallery, Toronto, Ontario Shipbreaking II, Robert Koch Gallery, San Francisco, California Rajasthan New Work, Flowers Central, London Rock of Ages: Photographs by Edward Burtynsky, Elgin Community College, Elgin, Illinois 2001 Shipbreaking, Mira Godard Gallery, Toronto, Ontario New Work, Robert Koch Gallery, San Francisco Survey Show, Burlington Art Centre, Burlington, Ontario Vues et points de vue: L'architecture de Borromini dans les photographies d'Edward Burtynsky - Canadian Centre for Architecture, Montréal, Québec 2000 Oil Refineries, Mira Godard Gallery, Toronto, Ontario Edward Burtynsky Photographs, McMaster Museum of Art, Hamilton, Ontario Vues et points de vue: L'architecture de Borromini dans les photographies d'Edward Burtynsky, Canadian Centre for Architecture, Montréal, Québec 1999 In the Wake of Progress, Robert Koch Gallery, San Francisco, California Ed Burtynsky, Robert Klein Gallery, Boston, MA. 1998 Urban Mines, Mira Godard Gallery, Toronto, Ontario Urban Mines and Tailings, Laurence Miller Gallery, New York, New York In the Wake of Progress: Quarries, Tailings & Urban Mines, Paul Kuhn Fine Arts, Calgary, Alberta 1996 Tailings, Mira Godard Gallery, Toronto, Ontario 1995 Quarries, Lawrence Miller Gallery, New York, New York 1994 The Carrara Marble Quarries, Mira Godard Gallery, Toronto, Ontario 1993 The Stone Quarries, Mira Godard Gallery, Toronto, Ontario 1988 Breaking Ground - Produced by the Canadian Museum of Contemporary Photography Exhibition tour: — Art Gallery of Hamilton, Hamilton, Ontario — Toronto Photographers Workshop, Toronto, Ontario — Floating Gallery - Winnipeg, Manitoba - 1989 — Cedarbrae District Library, Scarborough, Ontario - 1989 — Whyte Museum of the Canadian Rockies, Banff, Alberta - 1990 — Bibliotèque municipale de Mont-Joli, Mont-Joli, Québec - 1990 — Alberta College of Art Gallery, Calgary, Alberta - 1991 — The Gallery/Stratford, Stratford, Ontario - 1991 — Galerie d'art de Matane, Matane, Québec - 1991 — Lacham Gallery, Stouffville, Ontario - 1992 — Cambridge Public Library and Art Gallery, Cambridge, Ontario - 1992 — Maltwood Art Museum and Gallery, Victoria, British Columbia - 1992 — Alberni Valley Museum, Port Alberni, British Columbia - 1992 1987 Mines and Railcuts, Lawrence Miller Gallery, New York, N Y. 1986 Landscapes, Toronto Image Works Gallery, Toronto, Ontario 1985 Earthworks, Kitchener Waterloo Art Gallery, Kitchener, Ontario Landscapes, Gallery 252, Hamilton, Ontario 1984 Earthworks, A Moment in Time Gallery, Toronto, Ontario 1982 Landscapes & Greenhouses, Ryerson Photographic Arts Gallery, Toronto, Ontario SELECTED GROUP EXHIBITIONS 2015 A Terrible Beauty: Edward Burtynsky in Dialogue with Emily Carr, Kelowna Art Gallery, Kelowna, British Columbia, Canada, January 10 to March 1, 2015 Transformation of Canadian Landscape Art: Inside and Outside of Being, Today Art Museum , Beijing China, January 31 – March 8, 2015 Edward Burtynsky and David Shapiro, Nicholas Metivier Gallery, Toronto, Ontario, Canada, April 2 – 25, 2015 Frontiers Reimagined: Art That Connects Us, Venice Biennale, Venice, Italy, May 9 – October 22, 2015 2014 The Power of Water, Fotodok, Space for Documentary Photography, Utrecht, The Nederlands Nets: Weaving Webs in Art, Kunsthalle zu Kiel, Germany Blue: Matter, Mood, and Melancholy, 21c Museum, Cincinnati, Ohio, USA 2013 Royal Academy Summer Exhibition, London, UK, June 10 - August 18, 2013 Landmark: The Fields of Photography, Somerset House, London, U.K. Format, International Photography Festival, Derby, UK Big Pictures, Amon Carter Museum of American Art. Fort Worth, USA Climate of Uncertainty, DePaul Art Museum, Chicago, Illinois, USA Picturing the Sublime, The Phillips Collection, Washington D.C., USA 2012 America in View: Landscape Photography 1865 to Now, Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA Portfolio: Artists Work in Series, Faulconer Gallery, Grinnell College, Grinnell, Iowa, USA Subverted, Ivory Press, Madrid, Spain 2011 Infinite Balance, Museum of Photographic Arts (MoPA), San Diego, California, USA Songs of the Future: Canadian Industrial Photographs, 1858 to Today, Art Gallery of Ontario, Toronto, Canada To The Ends of the Earth, Adamson Gallery, Washington, D.C., USA The Ocean Reglitterized, Pelham Art Center, Pelham, New York, USA LOOK11 – Liverpool International Photography Festival, Liverpool, U.K. Royal Academy Summer Exhibition, London, U.K. Depiction, Confederation Art Centre, Charlottetown, Prince Edward Island, Canada, May 28- October 2 The Altered Landscape: Photographs of a Changing Environment, Nevada Museum of Art, Reno, Nevada, USA The Eye is a Lonely Hunter: Images of Human Kind – Ecological Circuits, Wilhelm Hack-Museum, Ludwigshafen, Germany Embarrassment of Riches: Picturing Global Wealth, Nerman Museum of Contemporary Art, Overland Parks, KS, USA The Art of Caring: A Look at Life Through Photography, The Art Museum of South Texas, Corpus Christi, TX The Art of Caring: A Look at Life Through Photography, Museum of Art, Fort Lauderdale, FLA Seeing Now: Photography Since 1960, The Baltimore Museum of Art, Baltimore, MD, USA The Kasper Collection: Mannerism and Modernism, The Morgan Library and Museum, New York City, USA 2010 In Focus: Photography from the Permanent Collection, Bowdoin College Museum of Art, Brunswick, Maine, USA Water: National Geographic, Annenberg Space for Photography, Los Angeles, California, USA Tilt - BredaPhoto, Breda, Netherlands Prix Pictet: Earth, Eindhoven University of Technology, Eindhoven, Netherlands - The Empty Quarter, Dubai 2009 Uneasy Pieces, Oakville Galleries, Oakville, Ontario, Canada Vanishing Landscapes/Verschwindende Landschaften, Galerie Nikolaus Ruzicska, Salzburg, Austria In the Darkroom: Photographic Processes before the Digital Age, National Gallery of Art, Washington, DC, USA Earth: Art of a Changing World, Royal Academy of Arts, London, U.K. Prix Pictet 2009: Earth, Passage de Retz, Paris, France Thessaloniki Museum of Photography, Thessaloniki, Greece Moor House, London, U.K. Purdy Hicks Gallery, London, U.K. Les Visages de l'industrie, Musée des beaux-arts, Le Locle, Switzerland Connecting to Collections 2: Destinations, Gallery Lambton, Sarnia, Ontario, Canada Substantial Resources, Art Gallery of Sudbury, Sudbury, Ontario, Canada Una fábrica, Una Máqina Un Cuerpo, Museo Universitario de Arte Contemporaneo, Ciudad Universitaria, Mexico, October 17 2009 - February 24 2010 Why Work? Rurart, Centre for Contemporary Art, Rouille, France Nature Nation, Museum on the Seam, Jerusalem, Israel Una fábrica, Una Máqina Un Cuerpo, Centre de Documentació Panera, Lleida, Spain Chelsea visits Havana, Museo Nacional de Bellas Artes Damaged Romanticism: A Mirror of Modern Emotion, Grey Art Gallery, New York University, New York Trouble in Paradise: Discord Between Nature and Society, Tucson Museum of Art, Tucson, Arizona Evolving Eden, Sheldon Museum of Art, Lincoln, Nebraska Prix Pictet 2008 Shortlisted Artists Exhibition: Thessaloniki Museum of Photography, Thessaloniki Royal Geographical Society, London, U.K., The Intelligence Squared Green Festival Eindhoven University of Technology, Eindhoven 2008 La Grande Image: Histoire de la Photographie Panoramique de 1839 à nos jours, Pavillon Populaire, Montpellier, France Prix Pictet, Palais de Tokyo, Paris, France Manufactured Landscapes, Bowdoin College Museum of Art, in Brunswick, Maine Scale Matters: Photographs from the Joseph and Charlotte Lichtenberg Collection, The Phillips Collection, Washington, D.C. POV/21: Twenty-First Century Points of View, St. Lawrence University, Canton, New York Somewhen, Jarach Gallery, Venice, Italy The Tropics, Martin Gropius Bau, Berlin Modern Photographs: The Machine, the Body and the City - Gifts from the Charles Cowles Collection, Parrish Art Museum, Southampton Imaging a Shattering Earth: Contemporary Photography and the Environmental Debate, — National Gallery of Canada, Ottawa, Ontario — Brunnier Art Museum, Iowa State University, Ames, Iowa Moving Walls, Open Society Institute, Washington, D.C. China in Motion, Phase 2, Arup, London, U.K. 1% - Water and Our Future, Hasselt, Belgium Twice Removed, Nicholas Metivier Gallery, Toronto Sound the Alarm: Landscapes in Distress, Glyndor Gallery, Wave Hill, The Bronx, New York Shifting Landscapes, Power House Arena, Brooklyn, New York Eastern Standard: Western Artists in China, Massachusetts Museum of Contemporary Art, USA Ingenuity, Palais des Beaux Arts, Brussels, Belgium Relics and Ruins, Instituto Oi Futuro, Rio de Janeiro, Brazil & SESC Paulista, Sao Paulo, Brazil. China Works, Center Koldo Mitxelena, San Sebastian, Spain International Biennial of Photography and Visual Arts, Liege, Belgium 2007 Utopian Mirage: Social Metaphors in Contemporary Photography and Film, Loeb Art Center, Poughkeepsie, NY Moving Walls, Open Society Institute, New York We are All Photographers Now! Musée de l'Elysée, Lausanne, Switzerland A History of Photography, Victoria and Albert Museum, London, U.K. Imaging a Shattering Earth, Dalhousie Art Gallery, Halifax Enfants De Cartier, Photographie Canadienne Contemporaine, Théâtre de la Photographie et de l'Image, Nice, France Ingenuity, Gulbekian Foundation, Lisbon, Portugal 2006 C On Cities, Venice Biennale, Pavillion Padiglione Italia, Giardini della Biennale, Venice, Italy Modern Photographs: The Machine, the Body and the City - Gifts from the Charles Cowles Collection, Miami Art Museum, Florida Imaging Asia in Documents, 1st Photo Biennale, Daegu , Korea Aspects & Transformations, Photography Museum of Thessaloniki, Greece Made in China, Museum of Contemporary Photography, Chicago, Illinois Modern Times: Work, Machinery and Automation in the Arts of 1900, Palazzo Ducale, Genoa, Italy Imaging a Shattering Earth, Museum of Contemporary Canadian Art (MOCCA), Toronto 2005 Imaging a Shattering Earth, Oakland University, Rochester, Michigan Disaster Topographics, Toronto Photographer's Workshop, Toronto, Ontario Subjective Distance, McMaster Museum of Art, Hamilton, Ontario Hot Mush and Cold North, The Ottawa Art Gallery, Ottawa, Ontario 2003 Industry and Entropy, Freedman Gallery, Albright College Center for the Arts, Reading, Pennsylvania 2002-2003 Altered Landscape: The Carol Franc Buck Collection, Norsk Museum for Fotografi – Preus Fotomuseum, Horten, Norway & Nevada Museum of Art, Reno, Nevada 2002 New Acquisitions: New Work / New Directions3 / Contemporary Selections, Los Angeles County Museum of Art, Los Angeles, California Altered States: Landscape Transformation in the Wake of Progress, University Art Gallery, University of California, San Diego, La Jolla, California Curator's Forum: Collecting Contemporary Art, Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina The Eye of the Beholder: A History of Photography from the LaSalle Bank Photography Collection, Grand Rapids Art Museum, Grand Rapids, Michigan 2001 Detourism, The Renaissance Society, University of Chicago, Chicago, Illinois Site/Seeing, Art Gallery of Ontario, Toronto, Ontario 1999 Virgin Land, Nassauischer KunstVerein, Weisbaden, Germany L'Évocation, Marché Bonsecours, Montréal, Québec The Sudbury Basin: Industrial Topographies, The Art Gallery of Sudbury, Ontario 1998 On the Nature of Landscape, Mt. Holyoke College Art Museum, South Hadley, Massachusetts 1997 Work, Workers, Works: Rearranging the Land, Dalhousie University, Halifax, Nova Scotia The Big Picture, Albright-Knox Gallery, Buffalo, New York Land Used, Carleton College Art Gallery, Northfield, Minnesota 1996 Before the Land Behind the Camera, Canadian Museum of Contemporary Photography, Ottawa 1994 Burtynsky/Maynard, Art Gallery of Ontario, Ontario 1993 Embodied Spaces, Le Mois de la Photo, Montreal, Quebec (cat) 1992 Beau: A Reflection on Beauty of Nature in Photography, Canadian Museum of Contemporary Photography, Ottawa, Ontario (cat) 1991 Tainted Prospects: Photographers and the Compromised Environment, Co-curated by John Pfahl and Sandra Olsen, Castellani Art Museum, Lewiston, New York (cat) 1990 The Landscape: Eight Canadian Photographers, McMichael Canadian Art Collection, Kleinburg, Ontario (cat) Le Mois de la Photo, Curator: Katy McCormick, Concordia University, Montréal, Québec 1989 Money Matters: A Critical Look at Bank Architecture, Museum of Fine Arts, Houston, Texas (book) Exhibition tour: —Museum of Fine Arts, Houston, Texas - 1989 —National Building Museum, Washington, D.C. - 1990 —Canadian Centre for Architecture, Montréal, Québec - 1990 —Vancouver Museum, Vancouver, British Columbia - 1991 —National Gallery of Canada, Ottawa, Ontario - 1992 —Royal Ontario Museum, Toronto, Ontario - 1992 Structure and Landscape in Contemporary Canadian Photography, Art Gallery of Northumberland, Cobourg, Ontario What is Photography: 150 Years of Photography, Prague, Czechoslovakia (cat) 1987 Focus '87, Art Gallery of Ontario, Ontario 1982-1983 Transitions: The Landscape, Produced and toured by The National Film Board (now CMCP) Exhibition tour: —The Photo Gallery, Ottawa, Ontario - 1982 —Winnipeg Art Gallery, Winnipeg, Manitoba - 1982 —The Canadian Centre of Photography, Toronto, Ontario - 1983 —The Photography Gallery, La Jolla, S. California - 1983 AWARDS AND HONOURS 2014 Rogers Best Canadian Film Award, Canadian Screen Awards, Watermark - Best Feature Length Documentary - March 2014 Toronto Film Critics Association, "TFCA Names 'Watermark' Best Canadian Film." January 7. 2013 Honorary Degree - Doctor of Arts degree from Middlebury College, Vermont, USA Honorary Doctoral Degree - University of British Columbia, Canada 2012 Tiffany Mark Award - honors men and women who, through their professional or philanthropic endeavours, make a difference to their community. 2011 National Magazine Awards, Gold Prize: Conceptual Photography, Toronto MOCCA award, Toronto, Canada Honorary Degree – Doctor of Laws, Mt. Allison University, Sackville, New Brunswick, Canada Deutscher Fotobuchpreis – Silver Award, Burtynsky: Oil 2010 Krazna-Krausz Book Award, U.K. for Burtynsky: Oil 2009 Prix Pictet, London, U.K., Nomination & Short Listed 2008 Planet in Focus Media/Industry Eco-Hero Award Canadian Environment Awards: Ideas for Life Prix Pictet, London, U.K., Nomination & Short Listed Toronto Friends of the Visual Arts, Achievement Award ICP Infinity Award, Art Category, International Center Deutscher Fotobuchpreis – for Burtynsky: Quarries 2007 Honorary Degree – Doctor of Fine Arts in Photography Study, Ryerson University, Toronto, Canada Honorary Degree – Doctor of Fine Arts, Montserrat College of Art, Boston, USA 2006 Officer of the Order of Canada The Order of Canada is the centrepiece of Canada's Honours System and recognizes a lifetime of outstanding achievement, dedication to the community and service to the nation. Honorary Degree - Doctor of Laws, Queen's University, Kingston, Canada, October 2006 Applied Arts Magazine Awards, photography/illustration complete book: BURTYNSKY – CHINA Toronto International Film Festival: The Toronto-City Award for Best Canadian Feature Film goes to Jennifer Baichwal's compelling documentary MANUFACTURED LANDSCAPES, a portrait of Canadian photographer Edward Burtynsky. The jury notes: "From its astonishing first shot to its overwhelming conclusion, this film is a profoundly evocative dialogue between artists of the highest calibre; finding exceptional beauty in the peril of our planet." Atlantic Film Festival Association: Halifax, Nova Scotia. Winner: Best Canadian Documentary Jennifer Baichwal Nomination: Deutsche Börse Photography Prize 2007, Photographer's Gallery, London, U.K. Burtynsky is nominated for his exhibition CHINA at Flowers East earlier this year. 2004 TED Prize - inaugural (annual) Monterey, California Flying Elephants Foundation Fellowship - inaugural award (annual) given to individuals from around the world who are working to benefit the environment through the arts and sciences. The Rencontres d'Arles Outreach Award: "for a photographer or an artist making use of photography whose work has increased dialogue and exchange in the interests of humanity" - Arles, France Roloff Beny Book Award - "Before the Flood" Applied Arts Magazine - Photographic Book Award - "Before the Flood" 2003 Governor General of Canada Delegate - Circumpolar State Visit to Finland and Iceland Royal Canadian Academy of Arts – Academician's Honours 2002 National Magazine Awards Foundation – Photojournalism Silver Award 2001 Now Magazine Reader's Poll Award – "Best of Toronto: Photographer" COMMISSIONS 2005 Ars Electronica Festival - To provide visuals with live orchestra set to Philip Glass' 1992 work entitled "Low Symphony" - Between the Lines program, Brucknerhaus Theatre, Linz, Austria 1999/2000 Photographing the works of Baroque architecture of Borromini in Rome for a book to be published by the Yale University Press and authored by Joseph Connors 1991 "Mosaica", a one year commissioned photographic essay on the integration of the Ukrainian culture with Canadian culture for The Grant McEwan Centre, Edmonton, Alberta 1989 A corporate commission for a photographic essay on the nickel mines of Thompson Lake Manitoba for INCO Canada 1986 "Money Matters, A Critical History of Bank Architecture", a four year commission to photograph banks in Canada and the United States of America for the Museum of Fine Arts, Houston and The Parnassus Foundation. SELECTED PUBLIC COLLECTIONS Albright-Knox Art Gallery, Buffalo, New York The Ackland Art Museum, University of North Carolina at Chapel Hill Agnes Etherington Art Centre, Queen's University, Kingston, Ontario Art Gallery of Hamilton, Hamilton, Ontario Art Gallery of Nova Scotia, Halifax, Nova Scotia Art Gallery of Ontario, Toronto, Ontario Baltimore Museum of Art, Baltimore, MD Bibliothèque National, Paris, France Brooklyn Museum of Art, Brooklyn, NY Canada Council Art Bank, Ottawa, Ontario Canadian Centre for Architecture, Montréal, Québec Canadian Museum of Contemporary Photography, Ottawa, Ontario CincinNatti Art Museum, Cincinnati, OH Fondation Arts et Culture, Jouxtens-Mezery, Switzerland Gallery Stratford, Stratford, Ontario George Eastman House, Rochester, NY Gemeentemuseum Helmonds, The Netherlands Glenbow Museum, Calgary, Alberta Grand Rapids Art Museum, Grand Rapids, MI Haggerty Museum, Marquette University, Milwaukee, WI Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, CA Kitchener-Waterloo Art Gallery, Ontario Leonard and Bina Ellen Art Gallery, Montréal, Québec Library of Congress, Washington, D.C. London Museum, London, Ontario Los Angeles County Museum of Art Mackenzie Art Gallery, Regina, Saskatchewan MacLaren Art Centre, Barrie, Ontario McMaster University Art Gallery, Hamilton, Ontario Mendel Art Gallery, Saskatoon, Saskatchewan Milwaukee Art Museum Montréal Museum of Fine Arts, Montréal, Québec Musée d'art contemporain de Montréal, Montréal, Québec Museum of Contemporary Canadian Art, Toronto, Ontario Museum of Fine Arts, Houston, Texas Museum of Photographic Arts, San Diego, CA Museum of Modern Art, New York Mount Holyoke College Art Museum, South Hadley, MA National Archives of Canada, Ottawa, Ontario National Gallery of Art, Washington, D.C. National Gallery of Canada, Ottawa, Ontario Nevada Museum of Art, Reno, Nevada Owens Art Gallery, Sackville, New Brunswick Presentation House, Vancouver, British Columbia Ryerson Polytechnic University/School of Image Arts, Toronto, Ontario San Francisco Museum of Modern Art, CA San Jose Museum of Art Scottsdale Museum of Contempoary Art, Linhart Collection, Scottsdale, Arizona, U.S.A. Seattle Art Museum, Seattle, WA Snite Museum of Art, University of Notre Dame, Notre Dame, Indiana Solomon R. Guggenheim Museum, New York, NY Spencer Museum of Art, The University of Kansas Saint Louis Museum of Art, St. Louis, MO Tate Modern, London, England, U.K. Thessaloniki Museum of Art, Thessaloniki, Greece Tom Thompson Memorial Art Gallery, Owen Sound, Ontario Victoria and Albert Museum, London, England, U.K. Wadsworth Atheneum, Hartford, CT Whitney Museum of American Art, New York, NY Wilson Centre for Photography, London, U.K. Winnipeg Art Gallery, Winnipeg, Manitoba COLLECTIONS - CORPORATE Ackerman & Co. Atlanta, Georgia Air Canada, Montréal, Québec AstraZeneca Bank of Montreal, Toronto, Ontario Bank of Nova Scotia, Toronto, Ontario Beamscope Bennett Jones Beutal, Goodman, Toronto, Ontario Blackburn Group, London, Ontario Blaney, McMurtry, Stappells, Toronto, Ontario Boston Red Sox, Boston, Massachusetts Burnet, Duckworth & Palmer, Calgary, Alberta CDH Holdings Inc., Huntsville, ON Ciba-Geigy Canada Ltd., Toronto, Ontario CI Funds Canadian Imperial Bank of Commerce/Wood Gundy Cafritz Interests, Washington, DC Charles Schwab & Co. Chase Bank, New York, NY Claridge Incorporated C.S.T. Consultants Inc. Delaney Capital Devon Petroleum, Calgary, Alberta Dow Jones, New York Encana Resources, Calgary, Alberta Enterprise Products, Houston, TX Fasken Martineau DuMoulin LLP, Toronto, Ontario Fidelity Investments Foreign Affairs Canada Goldman Sachs Granite Club, Toronto Grosvenor Capital Management, Chicago, Illinois Hunt Oil Company, Calgary, Alberta INCO, Head Office, Toronto, Ontario J.P. Morgan Bank Kelly Company, New York, NY Kestrel Capital Management Corp., Toronto, Ontario KPMG, Toronto, Ontario Lax, O'Sullivan, Cronk Lenczner, Slaught, Royce, Smith, Griffen, Toronto, Ontario Likrilyn Capital, Toronto, Ontario London Life, London, Ontario MAPAC Canada Ltd., Toronto, Ontario Microsoft Corporation, Redmond, Washington Morris, Rose, Ledgett, Toronto, Ontario McCarthy, Tetrault McMillan, Binch Novell, Incorporated Ontario Mining Association, Toronto, Ontario O.P.S.E.U. The Parnassus Foundation, New York, N.Y. Phillip Morris Corporation, New York, N.Y. Power Corporation, Montreal, Quebec Price Waterhouse Refco Group, Ltd. Royal Bank Schulich School of Business Scotiabank The Source Code Escrow Company, Toronto, ON Sunlife of Canada Swiss Bank Swiss Re Life and Health Target Canada Teleglobe Canada, Montréal, Québec Templeton Management Tory, Tory, Deslauriers & Binnington TransAlta, Corporation, Calgary, Alberta Tremblanc Capitol, New York, NY Wilson Project Management, Toronto, ON Zerofootprint Software Inc. SELECTED BIBLIOGRAPHY 2014 Bierend, Doug. "Eptic Photos Expose Mankind's Uneasy Relationship With Water." Wired, April 17, 2014. Henderson, Christine Rose. "Contemporary Ruins: Politics and Aesthetics Beyond the Melancholy Imagination." 2014. Doctoral Dissertation, York University. Noellgen, Sabine. "Veränderte Umwelt: Neue Leseweisen im Anthropozän" (Altered Environments: New Readings in the Anthropeocene). 2014. Doctoral Dissertation, University of Washington. Romer, Amy. "Edward Burtynsky's photographs are the industrial landscape sublime." 2014. Essay, Falmouth University. Whyte, Murray. "Large-Format Vision." Galleries West, spring, p. 32-35. 2013 Baird, Daniel. "Planet Water: Edward Burtynsky Embarks on a New Film Partnership." Canadian Art, summer, p. 86 - 93. Boettger, Suzaan. "Oil on Paper." The Brooklyn Rail, April 3. Burtynsky, Edward. BURTYNSKY - WATER, Göttingen, Germany: Steidl Verlag, September, 228 pages. Bossen, Howard, Eric Freedman, and Julie Mianecki. "Hot Metal, Cold Reality: Photographers' Access to Steel Mills." Visual Communication Quarterly,Vol. 20, Number 1, pg. 4-19 Davidson, Barbara. "ReFramed: Necessity of Life." Los Angeles Times, December 1. Burtynsky, Edward. "Water." The Walrus, October. Cookson, Clive. "Liquid of Life." FT Weekend Magazine, September 27. Everett - Green, Robert. "Sebastião Salgado and Edward Burtynsky: The world according to the photography masters." The Globe and Mail, May 4. Fitzpatrick, Blake. "Interview with Edward Burtynsky." POV Magazine, issue 91. Franzoni, Christina. "Edward Burtynsky." 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"The Fine and Excruciating Construction of the World" Border Crossings, (March) p.22-37. Clark, David. "Icons of Photography, Edward Burtynsky 1955-present" Amateur Photographer, London, U.K. (February 5) p.37-38. Godard, Peter. "Labour of Love" The Toronto Star, Toronto, Canada. (February 3) p.E1,E7. Viau, Rene. "Une Beaute Contaminée" Vie des Arts, (Winter - #221) p.48. Vigano, Enrica. Edward Burtynsky: L'uomo e la terra. Luci e ombre, Intervista a Edward Burtynsky, Centro Culturale di Milano, Milan, Italy (January) (cat.) Hodgson, Francis. "Seductive Obsolescence" Financial Times Weekend, London, U.K. (January 22) p.L&A8. 2010 Soberano, Amy. "Production Studio" Lifestyles Magazine, New York, USA. (Winter, #230) p.52- 57. Hodgson, Francis. "Windows on the World" FT Weekend Magazine, London, U.K. (13/14 November) p.22-29. Burtynsky, Edward. "Pentimento" Burtynsky Studio Publication, (September), Hardcover / Softcover / Folio editions. Hodgson, Francis. 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"100 Years 100 Works of Art" Grand Rapids Art Museum, Grand Rapids, Michigan, USA. p.200-201. 2008 BURTYNSKY - OIL, Published by Steidl, Germany, October, 216 pages, hardcover "Find The Root: The Modern Industrial State" Kaze No Tabibito #33, Crevis, Tokyo, Japan, August, p.1-18 "Picture Power: The Cost of Progress" Newsweek, Beijing, China, July, p.84-87 Forbes, Duncan, "Edward Burtynsky's Negative Sublime" Portfolio Magazine, Issue 47, Photography Workshop Ltd., Edinburgh, Scotland, May, p.4, 18, 21 Campbell, Craig, "Picturing Second Geography" (interview), Space and Culture, Edmonton, Alberta, February, p.39 Barth, Nadine, "Verschwindende Landschaften" (ENG: Vanishing Landscapes), Dumont, Cologne, Germany Life Magazine, "Heaven" Beijing, China, April, p.16-33 Williams, Rosalind, "Edward Burtynsky" (interview) Tendencias, Madrid, Spain, Summer, p.58 Hodgson, Francis, "Return to the Source" FT Magazine, London, U.K., July, p.24 Baillargeon, Claude, "Affinity and Dialectic in Twice Removed" Nicholas Metiver Gallery, Toronto Michael Dee, (Interview) FotoAllers Forlag, Hälsingborg, Sweden, May Art World Magazine, Media Issue #3, London, U.K. February Stephan Harding, "Intelligent Growth" Resurgence Magazine, issue number #247, Devon, U.K., March/April, p.12/13 Focus Magazine, G+J Gruner+Jahr Polska, Warsaw, Poland, June Dwell Magazine, The Elements Issue: Light/Water/Earth, Issue #1, November, San Francisco Poole, Di, "New Quarries" Next Level #14 White Issue, London, U.K., July, p.70-77 2007 BURTYNSKY - QUARRIES, Published by Steidl, Germany, October, 192 pages, hardcover Edgar, Ray, "The Price of Power" Monument Magazine #79, Melbourne, Australia, June/July, p.90 Mary-Kay Lombino, "Utopialand" Vassar College, New York Jacobs, Karrie, "Searching For the Future" Metropolis, Architecture & Design, January, p.42 "La Bella Cicatriz / The Beautiful Scar" Ojo De Pez, The Fall of Nature, Issue #8, p.14-27 "Manufacturing Humanism: Steichen/Burtynsky" Prefix Photo #15, May, p.55-67 Callick, Rowan, "All the Coal in China" The American, May/June, p.24-32 "Enfants De Cartier, Photographie Canadienne Contemporaine" Théàtre De La Photographie Et De L'Image, Nice, May/Aug "Age of Extraction" Walrus Magazine, July/August, p.32-34 "Histoire - Geographie Terminales," editions magnard, June, Paris, France Vrij Nederland, Issue no. 17, Amsterdam, Holland Daniel Canogar, "Ruins" Exit Magazine # 24, Nov 06/Jan, Madrid, Spain Worldchanging: A User's Guide for the 21st Century, January, New York TIME Magazine, New York City, U.S.A. September, p.24-27 2006 Herbie Girardet, "Which Way China" Resurgence, May/June 2006, issue 236, Hartland, Bideford, UK. Jules Petty, "Myth of Progress" Resurgence, May/June 2006, issue 236, Hartland, Bideford, UK. National Geographic Society, September 2006, Washington, D.C. "Work" hardbound book Daniel Canogar, "Ruins" Exit Magazine # 24, November 06 – January 07, Madrid, Spain La Fabrica "Anima Mundi" November 2006, Madrid, Spain. p. 104 - 115 First Magazine, September 2006, London, U.K. "The poultry production line" p. 24 Worldchanging: A User's Guide for the 21st Century, January 2007, New York, Chapter: Planet Section: Climate Foresight George Monbiot, Heat, (hardcover) Random House / Double Day, Toronto, September 2006 Rundshau, July 2006, Frankfurt, Germany Raymond Aubin, Photo Sélection Magazine, November 2006, Quebec City, Canada, 25 Canadian Photo Personalities Jan Bom, P+ People Planet Profit Magazine, Vol 4, #5, July/August 2006, Alphen aan den Rijn, The Netherlands, Publiceert het China van Edward Burtynsky John K. Grande, "Manufactured Landscapes - an interview with Ed Burtynsky" Etc. Magazine, issue #75 Autumn 2006, Montreal, Canada Art in Action, "Nature, Creativity, and Our Collective Future", Natural World Museum, Palace Press / Earth Aware Editions, San Rafael, California, September, 2007 Jaume Vidal Oliveras, Critical Review, El Cultural / El Mundo, April 27, 2006 Madrid, Spain. Les Éditions du Renouveau Pédagogique, September 2006, Montréal, Canada. "Territoires 2" p. 223/227 Dominique Baqué, La Possibilité d'une Ville October 2006, Editions du Regard, Paris, France. Eloisa de Dios, Diseñart Nº7, May 2006, Madrid, Spain. Laura Allen and Mark Smout / Smout Allen, "Augmented Landscapes", Pamphlet Architecture 28, March 2007, Princeton Architectural Press, New York. Photography: A Cultural History, July 2006, Author: Mary Warner Marien, 2nd ed. Laurence King Publishing / Prentice Hall, london, U.K. p. 475/476 Revista / Picnic, Portfolio section CHINA, Tabasco, Mexico, October, 2006 Ronald Wright, A Short History of Progress, House of Anansi Press, October 2006, Toronto Canada. Viernes / El Periódico de Catalunya, April 2006, Barcelona, Spain. Casa International issue no: 412006 June Beijing, P.R. China p. 32-35 Picnic, No. 13, November/December 2006, Mexico City. "supervivencia y bienestar / survival and wellbeing – Burtynsky-China Portfolio" Sam Stephenson, "The Family of Destruction: Edward Burtynsky's Photographs" BardPolitik, Bard College Press, Annandale-on-Hudson, p.35 - 38. Nancy Tousley, "Burtynsky in China" Calgary Herald, February 11, 2006, Calgary, Alberta. Chinese Photo Magazine, "Portfolio" Beijing, China. January/February, 2006 George Wehrfritz, "Second Thoughts: China's too-hot economy is prompting firms to look elsewhere to invest." Newsweek, November 28, 2005. New York, NY, p.32 Carol Diehl, "The Toxic Sublime" Art in America, February 2006, New York, NY. p.118 Edward Burtynsky, Blind Spot, Issue 32, March 2006, New York. Also, available as a special hardbound version with tipped in limited edition print. Hichael Hainey, Absolute Magazine, Issue 9, April, 2006, New York, NY. Andrew Ross, "CHINA SYNDROME: The Economic Transformation of China is As Much A Threat to That Country As It Is to The US." Playboy Magazine (US edition), Forum Section, March, 2006. New York. Dean Kuipers, "GREENS WITH GUNS. Betrayed By The Republican Assault On Nature, Hunters Join Forces With The Granola Set." Playboy Magazine (US edition), Forum Section, April, 2006, New York. The Paris Review, no. 175 (fall/winter 2005), New York, NY. Carte Blanche, Photography Vol. # 1, April 15, 2006, Toronto. "Photography in Canada" (text: Douglas Coupland) Australian Strategic Policy Institute Limited (ASPI), Canberra, Australia. "Balancing Act: China's unprecedented growth and implications for the Asia-Pacific" Manfred Zollner, "Reich im Umbruch" fotoMAGAZIN, Issue #3, February 17, 2006, Hamburg, Germany. Stephanie Ringel, "Die Weltfabrik" Sie+Er Magazine, Nr. 1/2006, January 2, 2006. Zurich, Switzerland. Christa O'keefe, "The Art of Transformation" See Magazine, December 8 – 14, Edmonton, Alberta. Rafael Pock, "China, the biggest labour reserve in the world" La Vanguardia Magazine, 15 January, 2006. Barcelona, Spain. Andreas Weber, "Kuenstliche Landschaften: Die Schönheit des Hässlichen – Die Schönheit der Zerstörung" GEO Magazine, 03/March 2006, Hamburg, Germany. Sabine Ostmann, "Vorbild" GEO Magazine, PHOTOGRAPHIE, Issue #3/06, February 2006, Essen, Germany. C International Photo Magazine, Issue #2, June 2006 (two editions English-Chinese and SpanishJapanese) London, UK, Europe, North and South America, China, Japan. ( Hardcover book) Telegraph Magazine, December 2005, London, U.K. 'The Year in Pictures 2005 from A to Z' Another Magazine, 9th issue, Autumn/Winter 2005. London, U.K. Independent, October 23rd, 2005 London, U.K. "The Bigger Picture" (text: Andrew Tuck - Editor of the Independent on Sunday review), large repro of Manufacturing # 6a & 6b, Hongquingting Shoe Factory, Wenzhou, Zhejiang Province, China. Anna Sansom, Spoon, 'The Beauty of Progress' Nov/Dec 2005, Paris, France. Issues in Science and Technology, Winter 2006, Vol. xxii #2, "Forum" Section, National Academies, University of Texas, Dallas "Altered Landscape" (various articles) Dirt, Issue 2/3 February 2006, New York, NY. Mark Cheetham – (head of art history U of T), "Art & Nature" The Walrus, April 2006, Toronto. Lyle Rexer, "Global Topographers" Art on Paper, March/April 2006, New York, NY. Worldview Magazine, Vol 19 No 1, Spring 2006, Washington, D.C. (Cover) Alexandra Hawryluk, "The Photographs of Ukrainian Canadian Edward Burtynsky" The Ukrainian Weekly, Vol.LXXIII No. 42, October 16, 2005 Parsippany, New Jersey. Jacomijn de Raad, "Gewonde Landschappen" Vivant, Issue #1, March 2006, Amstelveen, The Netherlands Joanne Glaseby, "Fast Forward: Photographer Edward Burtynsky's exquisite, detailed work records progress, in all its guises." Zag, Issue #2, March 2006, London, New York, Tokyo, Buenes Aires. Felicity Wade, "Who is going to Save Me?" Photofile, Summer 2006, Paddington, New South Wales, Australia. p. 62 - 65 Kate Damoulin, "Lasting Lens" Flare Magazine, February 2006, Toronto. p. 44 Elaine Sexton, "Edward Burtynsky: Brooklyn Museum & Charles Cowles Gallery" ArtNEWS, New York, NY. p. 126 Halbe de Jong, "Ship Aan Flarden" ("Ships to Shreds") Snoecks, Winter 2006, Gent, Belgium. p. 458/9 Andrew Atkinson, "Metro Pictures: Book Reviews" The Architect's Newspaper, Vol. 4 Issue #2, February 2006, New York, NY. Portfolio 06, Dec 2005, Roma, Italy. (intro text: Ferdinando Scianna) GEO Italia, Summer 2006, Milan, Italy. 2005 Sansom, Anna, "The Beauty of Progress: Edward Burtynsky's widescreen Industrial Visions," November, Spoon, U.K. Meyers, William, "An Artist in Awe of His Surroundings," October 13, New York Sun, Arts & Letters, p. 13 "Entropia," Fundacion Bilbao Bizkaia Kutxa, Bilbao, Spain, October (cat) Baker, Kenneth, "As Nature Bleeds, Edward Burtynsky get the Big Picture," July 6, San Francisco Chronicle Knight, Christopher, "His Aim is True," May 25, Los Angeles Times Dixon, guy, "A Warning From the Wastelands," April 7, Globe and Mail, Review R1 - R3 Goddard, Peter, "Terror in Progress,", October 1, Toronto Star Harris, Jeff, "The Reinvention of China," February 24, Maclean's, p.34 - 37 Roderick, Daffyd, "Made in Canada: Frame of Work" September 19, Arts & Culture, Time (Canadian Edition) Milroy, Sarah, "Burtynsky's view of China Rising," October 15, Globe and Mail, Review, R5 Burtynsky, Edward, "BURTYNSKY - CHINA," Published by Steidl, Germany, October, 148 Pages, 96 Colour Plates, 3 Essays, Hardcover, ISBN - 3-86521-130-5 2004 Regimbald, Manon, "Les Ruines Des Burtynsky," November-December, Spirale, p. 41 Dault, Gary Michael, "The Eleventh Hour in Photography," Summer, Canadian Art, Vol. 20 - No. 1, p. 56 Fishman, Ted, "The Chinese Century," July 4, New York Times, P. 24 Milroy, Sarah, "On the Eve of Destruction," May 31, Globe and Mail, R-6 Stacey, Robert, "Surreal Photos Expose the Magic," May, Sustain Magazine, p. 47 Kuipers, Dean, "Guru of Wise Use," May, Playboy, p. 51 Goldberg, Vicki, "The Emerald Megacities of Southeast Asia," April 11, New York Times Hannon, Gerald, "The Eyes of Edward Burtynsky," February, Toronto Life, p. 81 Whyte, Murray, "Beautiful Mines," February, ARTnews, p.70 Browne, Kevin, "It isn't a Snap," February 7, National Post Whyte, Murray, "Adding up the price that Nature Pays," January, New York Times Goddard, Peter, "Landscapes Wrenching Ruins," January, Toronto Star, G-4 2003 Richler, Noah, "This Overheating World: The Evidence of Man," Autumn, Granta Dawson, Jessica, "Unnatural Wonders," August 7, Washington Post Whyte, Murray, "Mapping the High Cost of Progress," June 28, Toronto Star, F-4 Burnett, Craig, "Manufactured Landscapes: Burtynsky Delivers," Summer, Modern Painters, p. 137 Darwent, Charles, "Unnatural Beauty," May 11, The Independent, p.23 Youngs, Christopher, "Industry and Entropy," March/April, Albright Center for the Arts (Cat.) Fulford, Robert, "Industrial Light and Magic," March 11, National Post Dean, Katherine, "Sublime Traces," February 3, McLean's Magazine, p. 42 2002 Leffingwell, Edward, "Reviews: Edward Burtynsky at Charles Cowles," June, Art In America, p. 129 Douglas, Sarah, "Reviews: New York, Edward Burtynsky Charles Cowles," May/June, Flash Art, p. 134 May 16-22, Now Magazine, p. 61 Fulford, Robert, "Art Around Every Corner," May 9, The National Post, p. AL 3 Williams, Gregory, "Reviews: Edward Burtynsky Charles Cowles Gallery," May, ArtForum, p. 181-2 May: Elm Street Magazine, p. 20 May: Harper's Magazine, p. 15 Bowness, Gordon, "The Giants," April, Report On Business Magazine, p. 56-64 Callahan, Sean, "Multiple Viewpoints," Smithsonian Magazine, April. "Real Art Ways, Acquiring Taste," 23 February- 30 June, p. 85 Loke, Margarett, "Art in Review: Edward Burtynsky," The New York Times, February 22, p. E40. Chinen, Nate, "Edward Burtynsky," digitalcity.com New York, February Dannatt, Adrian, "New York: Contemporary dealer shows: Edward Burtynsky - Charles Cowles," The Art Newspaper, What's On, February, p. 3. Ruiz, Cristina, "Rest of the world: Commercial galleries: Edward Burtynsky, Shipbreaking; Jane Hinton, Structures: new photographs - Mira Godard Gallery, Toronto," The Art Newspaper, What's On, February, p. 27. "Goings On About Town: Photography: Edward Burtynsky," The New Yorker, February 11, p. 13, 16. "Goings On About Town: Photography: Edward Burtynsky," The New Yorker, January 28, p. 24. 2001 Donegan, Rosemary, "Awesome Ambiguity: Edward Burtynsky's Industrial Landscape," Prefix Photo 3, p. 9-23 Baker, Kenneth, "Edward Burtynsky," ARTnews, May. Richler, Noah, "Residual Landscapes," Saturdy Night Magazine, May 19, p. 25-29 Mays, John Bentley. "A Melancholy Beauty: Edward Burtynsky's ship-breaking images are revealing in their humanity," The National Post, April 25. Torosian, Michael, Residual Landscapes: Studies of Industrial Transfiguration, Lumiere Press. Mayer, Marc, "A Dystopian Sublime: Edward Burtynsky's Grand Tour," Edward Burtynsky (cat). 2000 Avenue, "Industrial Magic: A Look At the Art of Edward Burtynsky" The National Post, June 14 Dault, Gary Michael, "Burtynsky's refined images offer aestheic truth" The Globe and Mail, June 3 Crumer, Jason, "Artist Showcase: Edward Burtynsky" Hemispheres, May 2000, p. 80-84 The Hamson Interview, "Firing up the Power Plant" The Globe and Mail, January 12 1999 Murray, Joan, Canadian Art in the Twentieth Century, Dundurn Press Hanna, Deirdre, "Ed Burtynsky ignites industrial passions" Now Magazine, October 28-November 3 Dean, Catherine, "Hot Wheels" The National Post, November 16 September: Harper's Magazine, p. 23 Luppino, Tony, "Mining for art in the nickel belt" The Globe and Mail, August 4 1998 Long, Andrew, "Landscapes in Flux", Art & Antiques, December 1998 Falk, Dan, "Mining modern industry for art gems," The Globe and Mail, May 5 1997 Pedersen, Andy, "Disfigured Landscapes," The Daily News, November 1 October: Harper's Magazine, p. 15 1996 Rhodes, Richard, "Tailings", Canadian Art, vol. 13, number 3, Fall issue 1994 Burtynsky, Edward, Quarries, essay by Michael Mitchell (cat) Hume, Christopher, "Carrara's beauty and banality," The Toronto Star, February 24 Bentley Mays, John, "Review in Brief," The Globe and Mail, March 22 Hanna, Dierdre, "Ed Burtynsky's quarry photos uncover troubling splendour" Now Magazine, March 31-April 6 1993 Durand, Régis, "Photographies Canadiennes Contemporaines Indentités et Invention", Art Press, issue 186, December McCormick, Katy, Embodied Spaces: Photography in Contemporary Art, (cat) Le Mois de la Photo à Montréal, September Stacey, Robert, "Edward Burtynsky: The Stone Quarries", (Review) Canadian Art, Spring Edition Cundiff, Brad, "Edward Burtynsky" (Cover and feature article), Studio Magazine, Nov./Dec. 1992 Matarozzo, Sharon, "Breaking Ground", Common Ground, issue 46, Jan/Feb Hume, Christopher, "Quarries" The Toronto Star, February 24 Langford, Martha, Beau , Canadian Museum of Contemporary Photography Pouliot, J. Marc Cote, Faces of Canada, Urban Photographic Projects Inc. Hume, Christopher, "New photo museum puts focus on beauty," The Toronto Star, May 9 Rafelman, Rachel, "Adjustments in focus," The Globe and Mail, April 11 1991 HBR Photo File, "From Monoliths to Malls: The Changing Face of Banks", Harvard Business Review, May-June. Pfahl, John and Olsen, Sandra, Tainted Prospects: Photographers and the Compromised Environment, Castellani Art Museum (cat) Godfrey, Stephen, "The mini and the mighty," The Globe and Mail, January 2 1990 Wagg, Susan, Money Matters: A Critical Look at Bank Architecture, McGraw-Hill Barbour, David, The Landscape, McMichael Art Collection (cat) Arthur, Alan, "A Major Exhibition Celebrates Bank Architecture", Canadian Photographer, Issue One, Spring Simpson, Rose, "Portfolio, Edward Burtynsky", Photosource, July/August Wingham, Judy, "Fine Art Photography in Canada", Viewfinder, November Harris, David, Money Matters: A Critical Look at Bank Architecture, (cat) Canadian Centre for Architecture Hume, Christopher, "New Bolley paintings colored in depressing shade of blue," The Toronto Star, May 11 Smellie, Jan, "Eight Canadian landscapers in premiere event at McMichael," The Enterprise, September 24 1989 Ministerstvo Kultury CSR, ed. Mrázková, Daniela, 150 Years of Photography, Prague, 1989, Videopress Smith, Whitney, Journal of Wild Culture, (back cover), Spring Issue Creighton, Christopher, "The focus is on 150 years of photography," Cobourg Daily Star, March 3 1988 Burtynsky, Edward, Breaking Ground, Canadian Museum of Contemporary Photography (cat) Hume, Christopher, "Environmental art breaks artistic ground," The Toronto Star, July 8 1984 Langford, Martha, Contemporary Canadian Photography, Hurtig Publishers Ltd. 1983 Fisher-Tayler, Gail, Photo Communique, (front cover) Summer issue