Hannah Duggan's practice examines digital culture, mass media and personal reflections as a user. As a young Millennial, the passive consumption of internet browsing has been a part of her life since she was a child. Within her work, she considers the mental impact of growing up with this access and the banal infiltration of digital experience into the everyday. Duggan looks at social media platforms, news sites, clickbait, chat rooms, search engines, stock images and many other digital sources as a starting point for her work. Within Duggan's current ceramic practice, she utilizes a variety of new technologies and traditional ceramic techniques to translate digital imagery, text, and files into ceramic sculpture and vessels. Duggan seeks to embrace the errors and mistranslations many of these technologies have in the process of creating physical objects from digital origins, and incorporate her hand in these digital processes. She uses clay to engage with digital themes since, despite its fragility, clay is historically one of our most archival materials. she sees clay as stable, tactile, yet fragile properties as a counter and comparison to the archival but transient nature of the screen. Duggan draws parallels between the unassuming functionality of everyday technologies and domestic ceramic objects.