My work probes the intersections of technology, tactility, and embodied forms of knowledge production. As a former neuroscientist, I am fascinated by the mind's systematic pattern-finding and sense-making ability. Through the use of ceramic 3D printing, I have been exploring this human capacity of abstraction in dialogue with the physicality of materials. Digital technology provides both tools and challenges to reassess the past and anticipate the future.I experiment with every aspect of the 3D printing process, from code to machine, and to clay. I frequently collaborate with various STEM fields on wide-ranging interdisciplinary projects from mathematical models of living systems, haptics of IoT data, Virtual Reality, and performative aspects of the body-machine relationship.My current work of porcelain sculptures continues to explore pattern-making/pattern-finding through iteration. It’s important for me to put clay in the center of this play with technology, because slippages and flaws record the process of materiality and the subjectivity of each moment. This way, my work is grounded in the experience of touch while exploring scientific and cultural histories through craft.