Meg has been working in clay for more than 25 years. The work has evolved from purely utilitarian porcelain thrown on the wheel to hand built clay for the wall and table. Each stage of development has prepared her for the next. This exploration of color and surface treatment keeps Meg excited to walk into her studio every day. Per Meg " I don't use many tools. My work is simple and methods are uncomplicated. I use a very groggy stoneware that accommodates multiple firings. Once in awhile I may sneak some porcelain in my making. I layer many slips, I scrape, cut, add to the piece before it heads to the kiln. My textures, brushwork and color combinations are influenced by the tribal art and architecture of West Africa. These ancient designs are spare and complex, as well as functional and beautiful.