LISETTE BAMBINE FORSYTH (African b. 1968 - )Painter + Printmaker Born in Namibia when it was still South West Africa--Lisette began modeling at the age of 14, travelling and working throughout Europe. Eventually, she returned to South Africa, studying graphic design at the Cape Technikon and graduating with a degree in print making and photography.Lisette has worked in many fields all over Europe and Australia before setting up her own studio in Cape Town and has exhibited widely since 2004, with solo and group shows across South Africa as well as internationally.She enjoys using a variety of recycled surfaces as her canvases. Taking inspiration from not only her surroundings but from the surfaces themselves she is able to create works that have a life of their own. The subject speaks to the canvas, and the canvas speaks back- opening up a channel for multidirectional dialogue which extends beyond the artwork itself. Lisette encourages observers to look closely at the artworks in her collection, imaginatively allowing themselves to solve the puzzles which lie beneath. There are no correct answers, and beyond creating a dialogue within her art she hopes to create a dialogue between her art and its observers. Taking creative liberties will allow her audience to explore the subjective meaning they project onto her work, and may well allow them to reverse the gaze and explore the origin of such projections within themselves. I paint to fill the need to create. Constantly experimenting with media and subject matter. The compulsion to recycle pushes me towards mixed media. Cape Town and it’s people provide contradictions and contrasts to work from. Every day is an inspiration . The need to revel and reflect life’s beauty drives me to create. To share the delight in the seemingly ordinary.What people do has become the inspiration for my art. When I moved into a semi-industrial area of Cape Town, what the people were doing there to survive became the source of my art while their characters became my inspiration.During the ongoing turmoil over a minimum wage, I came across a 1956 Work Ledger and I painted workers on pages from it. This resulted in a dialogue, between the people illustrated in the works and the authoritarian rules and procedures in the document.The resultant and growing feelings of social responsibility also led me scavenge the material with which and on which these people worked and out of this came what I call transmutation.I take the discarded materials of modern work and transmute their surfaces into artefacts with a powerful appeal to current artistic sensibilities. Scarred wood, rusted steel, battered metal and builder’s planks are all grist to my grinder, saw and paint brush. The story of each piece is transmutation, the outcome, I hope, is enchantment. I believe that the dialogue I initiate in my work starts a chain reaction; between my thoughts and the subject matter, between the elements in the work – the images, the objects and the background – all integrated and reinforced by the strong binding shadows I invariably include. Crucial to it all is the satisfying dialogue between my art and the viewer, because I believe that our experience of a piece of art is enhanced by our understanding of the values it signifies. CREATIVE PHILOSOPHYAs an artist one has to make things happen or be open to opportunities. It is a mystery where the ideas come from, I think it is divine. The platform comes with a sense of responsibility to affect positive change- I am constantly experimenting with media and subject matter. The compulsion to recycle pushes me towards mixed media. Although I try stay clear of politics, the fact that I use historic paper and contrast what is written with contemporary life it can be seen as political. I prefer to call it social commentary. Cape Town and it’s people provide contradictions and contrasts to work from. Every day is an inspiration.The need to revel and reflect life’s beauty drives me to create-to share the delight in the seemingly ordinary.