Since 1999, Patrick McNeil and Patrick Miller have collaborated under the name FAILE (an anagram of “a life”) to create kinetic, image-saturated paintings, prints, sculptures, and installations. Their shared love of -pop culture, multimedia, and public space art- became the inspiration for FAILE's artistic vision. Their democratic street style features fragmented mash-ups of comic book and cartoon characters, advertising and propaganda slogans, bright patterns and colors, and historical and pop cultural references. Their work is known for its ambiguity - ambiguous enough to allow viewers to interpret it freely yet focused enough on a particular topic to create meaningful discussions about politics, society, or culture. The meaning of their artwork may shift depending upon where it's viewed or when it enters the public discourse, making for an ever-changing display that challenges all who witness it. One of the biggest exhibitions for FAILE was Spank the Monkey, which presented some of their best works and brought together members from fine art communities and graffiti associations. This exhibition gave FAILE a real shove into the limelight as more people heard about them and appreciated what they could do when it comes to producing artwork. Using materials usually deemed unsuitable for any type of semblance of artwork, such as mirrors or postcards with cheesy images on them, FAILE turns mundane items into works that carry special meaning. At the beginning of their career, FAILE’s work appeared on the streets as stickers, posters, and stenciled images. Since then, the duo has enjoyed exhibitions at Tate Modern, the Museum of Contemporary Art San Diego, the Brooklyn Museum, the Central Academy of Fine Art Museum in Beijing, and the Mima Museum in Brussels, among other institutions. FAILE has also produced large-scale murals and staged participatory public interventions in cities including New York, Los Angeles, Las Vegas, and Lyon, France—further blurring the lines between “high” and “low” culture.